"Warts And All"
John Halsey's Liner Notes
Mike Patto: Vocals (22/09/42 - 04/03/79)
|I don't quite know what to say on this sleeve note - I've had the album in this finished state for ages -
and, of course, I've had the original cassette for nearly 30 years! I've had many attempts at putting
pen to paper, torn them up, and started again. Because I was there from Timebox to Patto
for six years and remember everything, it's hard to know what to put in and what to leave out!
With us at this time were the two roadies - Barnabus Swain and John Taylor (nicknamed Johanne). Johanne's name changed according to the country we were playing in at the time i.e., Johanne Schneider (Germany); Jan Clearmarker (Holland) etc., etc. Anyway, the name 'Johanne' stuck and I believe he is still called Johanne today.
When working, our motto was to 'Act Top Of The Bill', so when supporting a band bigger than ourselves (and that was more often than not) this is what we did and therefore became a hard act to follow; making a big entrance, playing our socks off, mixed with comedy, Ollie's incredible guitar playing, finishing with a stupendous number that made people's jaws drop open, a swift exit after a 'thank you' bow, a return for more applause and then leave the stage - follow that you bastards!
In the early days we played seven nights a week - clubs, American Airbases, and more clubs - grabbing a rehearsal when we could to learn new material; but it was all other people's material.
One day whilst moving our equipment from the Scotch Of St. James to Hatchetts for an afternoon rehearsal I suggested writing our own material. Mike had written a few lyrics in his Norfolk band days and so we started. Our first ever song was called 'Froogaly Budgie' - I can hear it now - it was bloody awful! Others followed over the next few weeks including 'Oobladee Ooblada' - a phrase used by Jimmy Scott, an African conga player who worked with Georgie Fame. When stuck for something to say (which was quite often) he would say 'Oobladee Ooblada - life goes on'. Obviously Paul Mac had the same idea, but we were first, sorry, second after Jimmy Scott.
It was at this time we started playing at the Black Swan in Sheffield - an old haunt of Joe Cockers - run by landlord Terry and his wife. We would do the occasional Sunday night with a couple of months between gigs. As time went by the Sheffield audience saw all the transitions in music, madness, instrument changes and personnel. Chris Holmes (Prof.) who played organ left and we changed the name from 'Timebox' to 'Patto'.
Some gigs at the Black Swan would be straight down the line music nights and some would be crazy. We would work out our repertoire in the van - comedy routines, harmony numbers, poetry readings instead of solo's etc. One night we just sat on chairs on the front of the stage and answered questions! We would perform old songs like 'Hands, Knees and Boompsadaisy' and 'Hi Ho', or hold a twist competition. There was even a night when an old boy who busked in the city centre, whistling, got up and did a few numbers with us - the crowds loved it all! One night I lost my temper with Ollie and we had a shout-up in the dressing room. He had on a Boy Scouts uniform with a spiders web drawn on his face and his hair Brylcreemed to a point, and I was dressed in leiderhosen and silk waistcoat, with a blue face and silver nose! Clive intervened, calming the situation and he was in the nude, just as he'd been on stage!
We played our last ever gig at the Swan on 30th April '73. The recording of this gig was made in 1971 while we were completing our second album 'Hold Your Fire'. We were in and out of the studio in Basing Street with Muff trying, as always, to get as much done as quickly and cheaply as possible. On this night Mike had a bad throat and was not in the best of moods. He managed to do the whole gig but there are a lot of croaky vocals and also tunes we hadn't performed for ages, but we put them in for the sake of his voice, therefore some of them fall to pieces! There are also more songs sung by Ollie than there would normally have been.
This recording was made by myself with a little cassette player with a built in mike that was put on the side of the stage and it is far from 'Studio' quality. Thankfully the vibe of the evening comes across and Ollie's incredible guitar playing was at its height.
Anyway, here I am rambling on. I hope you enjoy it - I feel it's alittle bit of history you can hold in
your hand - 'warts and all'.
1. 'You, You Point Your Finger'
2. 'Money Bag'
3. 'Let It Rock'
4. 'Magic Door'
5. 'Government Man'
6. 'Air Raid Shelter'
7. 'Route 66'
8. 'Tell Me Where You've Been'
9. 'San Antone'
10. 'Sitting Back Easy'
11. 'Big Hunk 0' Love'
All the photos are from the private collection of John Halsey. The Poem 'Where She Lives' appeared in this format in the Ptolemaic Terrascope, used with kind permission. The CD was mastered at Spring Vale Studios, Ipswich. The sleeve was designed by Alex at Voyager Media Ltd.
All material (C) 1999 Admiral Records
|Note: Track #6 is actually "How's Your Father".|
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