MIKE PATTO is amongst the last of a fast dying breed. An arch-looner,
who with a smile, a song and a maniacal leer, tears hell-for-leather along the
thin line that separates sanity from insanity.
Looning may well be an entertaining preoccupation -- for many it helps to
detract from a limited amount of talent -- but the fact remains, Patto the
singer and Patto the band that carries his name, have at this moment in time, an
abundance of creative energy.
If the lip-service paid to them from within the confines of the music
business were sufficient, then Patto (singular and plural) would be giving the
proverbial elbow to more established purveyors of electric rock. As it it, and
as it has always been, Joe Public are calling the shots and the result is a most
unanimous thumbs up.
On the surface, it would appear that both on and off the stage Patto (Mike)
plays everything strictly for laughs when he skits such songs as "Stairway
Of Love" or chooses to evaluate the band’s present position with straight
off-the-top-of-head statements like: "No longer are we that ten
quid-a-night audition group…we now take home all of eleven quid-a-week, but
that’s only in case the taxman’s reading this."
At times he seems to cocoon himself in the same kind of impregnable shield
favoured by the likes of Jimmy Savile, but knowing Patto on more than just a
casual basis, I can state with conviction that beneath his most warm and
aimiable exterior, he not only cares a great deal about the validity of his
music, but he is also totally aware of the instability of his chosen profession.
Patto is a veteran. Having campaigned under such banners as the Timebox,
Tarzan, Little Nesbit & the Boothog Pallify Five Hatfield & the Nuts,
then after one gig as Dick & the Firemen, it was decided that it would be
make or break as Patto.
"Lots of people say we are on the verge of making it, but they said that
when we had Timebox going," Patto begins in one of his rare moments of
sobriety. "They are saying the very same things that they used to say about
the Faces a year ago. That’s ace (a word which he frequently employs to
emphasise a point) but we’re not masochistic whereby we would flog on
regardless without making it.
"The worst thing that any band can do in our position is to start
pricing yourself out of those venues where you have built up a following, for
you only lose contact.
"It’s important for bands like this one, when after a gig people come
up to you and say that you gave them a thrill. Not ‘Hey Man – it was a gas,’
those are the people you must be wary of, but those who take the time to discuss
the songs and how we perform them."
When one is faced with the problem of actually interviewing Patto, one doesn’t
apply the usual techniques, but is forced to a hard and fast line in
interrogation. Unfortunately, this doesn’t always work. For at any time, the
"star" is liable to spring to his feet, leap about to the music
emitting from the stereo and shout at any innocent intruder entering the room:
"Be off with you...we’re doing a play."
Then without pausing for a breath, this craggy faced extrovert threatens:
"When I eventually overthrow Tom Jones, I won’t go in for silk suits and
Hollywood or even Las Vegas night clubs. I’m just going to sit at my piano and
the kids in the village will all snigger and talk about me.
"Everyday I’ll buy expensive sweets for the children, much to the
annoyance of their parents, but being a good wholesome young Catholic lad, it’ll
just be sweeties."
It was only then with supreme effort upon my part and a plea of "Let’s
talk about the band, Mike," that I managed to curtail this endless stream
of verbal eccentricity.
"Ace," he muttered with a knowing twinkle in his spacey eyes.
"Yeah…the band…Ace," was his reiteration.
"Ummmmmh…right," he continued as with a sudden flourish he pulled
his waistcoat together tightly across the front of his chest, grinned, burst
into laughter, checked himself and at a rapid pace informed me, "I want
this band to be a human band...love to hear boobs and burps on our records. You
can dig listening to a cat trying for a note and not just quite making
it...yeah.
"The physical thing is that when you’re up their on stage turning
yourself on, you tend to open your ears to what’s happening all around you.
"The audience burbling…you can hear that better, and consequently the
looning becomes far more acceptable and the liberties taken.
"This all helps to break down the intense inhibitions of both band and
audiences…Ace. I can tell you that it knackers everybody but at the end you’re
grabbing energy from the audience.
"But then, I feel that the audience can cop so many feelings from the
band. By that I mean, as a member of the group I can hear things that each
member has been working on...I’m up there with them and therefore I know what
they’re moving towards.
"Sometimes it takes months, but then you hear that change, things tick
round a little better, like when Olly (Halsall) lurches into the intro of a song
and wham! it’s all there."
If there’s one co-operative motto that all the members adhere to it’s
"Never Do The Obvious."
Patto explains: "In fact we got criticised on numerous occasions for not
doing the obvious. If there’s a four bar break in a number, we’ll do one in
say 5/4 or what ever we feel will make a sudden yet effective contrast.
"It’s just the same when we feature various individuals. Take Olly’s
tunes, he doesn’t fill them with fashionable rip-offs from other people’s
material neither are his guitar solos in the current fashionable trend. Olly is
an individual, and I feel that a great deal of our success hasn’t been because
of my visual antics out front...though I suppose they help," he adds as a
tongue-in-cheek aside. "But because of Olly’s great songs"
At a time when so many groups appear to be suffering from tired blood and
display as much originality as a Rank Xerox, Patto is conscious of the work of
his contemporaries but avoids over-listening to new albums. His reasoning is
logical: "Well, I think that sub-consciously you can quite easily fall into
the traps of re-working some of their ideas and I don’t want to do that, even
though I have a great respect for some of the things certain groups are doing. I
mean, I dig to hear it all, but I’m desperately trying to be myself. Take the
Beatles, it’s a gas to hear all their solo albums, but the way things are
today it would only be a fool who would dare to step into their things."
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